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it is night. i step out onto the empty street in the VV. the clock on the bank says 1:45. the clock on the bank says 41°. the clock on the bank says 1:45. i walk to the corner. the street is silent. a guy on a cell phone is standing by his car in front of a bar in the middle of the block.
i hesitate, then cross the street. open the door to the bar. the smoke is thicker than fog. the place is packed. there is a live band playing highway to hell, their amps turned up to eleven. frankly, they're not doing a bad job of it, not bad at all. i make my way through the thick of the crowd to the back of the bar, near the band. plenty of seats there, it's too loud to order a thing.
the walls are painted with pink fluorescent paint. a guy with a GIT-R-DONE t-shirt stands with his back to me. the band finishes the song and unplugs their instruments. good timing i say to the bartender. she asks me what i want, a bud, i tell her.
the jukebox comes on, redneck woman (not a high-class whore) is playing. the bartenders are singing along, they know all the songs by heart.
on the television over the bar there is a 1982 david carradine movie on, he is a new york detective tracking down quetzicotl, a flying prehistoric monster (god) that has made a nest for it's brood in the top of the chrysler building. i can't look at carridine without thinking of kwai chang caine, and wonder at the choice of that name, cain, condemned to roam the earth, looking for peace, deathless.
save a horse, ride a cowboy comes on the jukebox and the bartenders are gyrating their hips as they sing along. a roundhead next to me orders two jaegermeister bombers, and i order one. he is trying to chat up the bartender, kitty she tells him her name is, counting out his change, a five and five ones, and she walks away, singing the chorus.
there is a waitress there, one, and she is cleaning up the debris of the night, slowly, she moves in slow time... she never speeds her pace, but never slows it either. she punctuates her efforts with long sips of her ginger ale. her hair is carefully done, ironed. her jeans are too tight now, and when she looks across the bar into her reflection in the mirror with her lips pursed on the straw in her plastic cup, her eyes have the sadness of the ages in them.
it's not what i am used to, but the karma is strong here, of a certain kind, and i tap a few kiloliters. i figure they won't miss it, and if they do, they might be grateful.
on the television, the shadow of a giant dragon sweeps across manhattan, while the detectives squat on the rivers edge around the remains of it's latest victim. the special effects are cheesy, laughable by today's standards.i wonder if shaolin carradine will show the dragon and the tiger seared into his forearms. i wonder if he will say something he learned from master kan, something like:
From the crane we learn grace and self-control. The snake teaches us suppleness and rhythmic endurance. The praying mantis teaches us speed and patience. And from the tiger we learn tenacity and power. And from the dragon we learn to ride the wind. All creatures, the low and the high, are one with nature.
but he doesn't, not this time, and i leave my card under my change and walk out into darkness. i got what i needed tonight. tomorrow will be a beautiful day, a wonderful day, a day like no other since the beginning of days, a day like no other will be until the end of all days.
just as every day is.
posted by matthew at 03:27 AM
wow. as the other bartender, it's mindblowing to hear/see/feel my environment as poetry. thank you.
posted by: terre on November 12, 2005 06:11 PM
You gotta leave your house to find the biggest balls of twine or tin-foil...at least most of us do. Hope you find 'em. :)
posted by: k on November 16, 2005 12:57 PM
as the owner, i am glad you left some karma behind. it makes my life and my day. take away some give some to others.
posted by: jo ann on November 18, 2005 03:16 PM